Family and Friends: both can be both

Many people have come in and out of our life together as The Burnett Family, est. 1979.

Including our parents, siblings, children, and extended family members such as aunts, uncles, and cousins – the number of family members T and I are connected with biologically is legitimately still a very large one. We love them all despite how close we may or may not be on a day to day basis at any given moment.

Likewise is the number of true friends we’ve made over these years a very large group of individuals. There are many paradoxical sayings about the life family you are born with and the life family you grow into along the journey, (with variations ad infinitum) … These friends are indeed our family too.

We’ve come to conclude at this point in our life continuum that both can be both. That’s been lots of work learning this lesson and finally arriving here is definitely cool.

DIFFERENT TRIBES

Our living blood relatives have come in and out of our lives over the years for whatever the reasons. We have come to understand that this is a natural order in life. Relationships with siblings and children naturally change dynamically with individual growth and interests. Lifestyle choices and personal belief systems impact familial relationships and closeness.

18 I will arise and go to my father, and I will say to him, “Father, I have sinned against heaven and before you. 19 I am no longer worthy to be called your son. Treat me as one of your hired servants.”  20 And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him.

— Luke 15:18-20 (American Standard Bible)

We’ve learned there is no such thing as the static “perfect or dysfunctional” families that are too often depicted in popular media as cultural “norms.” All families are simultaneously dysfunctional and perfect. That’s cool too. We’ve also learned that in our desire to love our family as parents and grandparents of adult progeny that we must also care for our selves and our own empty nest family too. However, these are the types of lessons that most of us can’t truly learn until we actually reach this age.

MUSICIANS AND ARTIST CLASS

We have many lifelong and true friends made through the common bond of music. And many of those friendships have grown to be family-like in mutual commitment, being tested in strength over time, and genuine brotherly love for one another.

Musicians are our natural life community among fellow humans. Particularly those who play the types of instruments we do and the types of music we do were typically the “not cool” kids growing up. We’ve found that doesn’t change. That “not coolness” remains in adulthood, but we’ve been fortunate to find our “tribe” of like minds.

Military veterans are also our community to the extent of our mutual respect for voluntary service to the United States of America. We inherently share a common ethos and motivation to serve others. Considering how long we have been living autonomously, we’ve also found out that it’s “okay” if the people you share genetics and blood with, don’t like hanging out with you and doing the things you like to do.

We don’t always like what blood relatives like. We’ve often experienced this and it was uncomfortable to admit to ourselves at first. But, that doesn’t change the genuine love for them. Nor does it negate any love they may genuinely have for us as well. It’s life.

FAMILY + LIFE’S WORK

The Professional Musicians’ and Teaching Artists’ life is one of constant study, research, and growth that’s validated through public presentations and is preserved as permenant documents like printed publications and audio recordings. It’s a lifelong pursuit and lots of fun too. We have validated our long belief that professional musicians and teaching artists can engage family life in concert with being among the creative class. We continue to serve as living proof of this validated synergy at each stage of our journey.

11 When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things.

— 1 Corinthians 13:11 (King James Bible)

We started with a plan as a family and despite inherent challenges, have not varied too far from our original promise and commitment to each other as husband and wife when we formed The Burnett Family, est. 1979. Our parents are all gone now and it is only our generation and those who follow who remain. Just as our elders have become better understood, more wise, and insightful to us over the years, so will we to our progeny. Only time validates us.

YOUR LIFE: IT’S BIGGER THAN YOU

Only fools live for themselves and the single day. We have met and known many fools over the years. We were among the foolish at various stages of our lives. Such is life.

We have found it essential for us personally to live a life that is mostly of service to others and to our various communities. This life of service is based upon our own developed personal beliefs and Christian principles from our childhood upbringing.

Serving others makes you better. Serving others completes your own goals to levels that you alone could not imagine or achieve.

We have lived to see the tangible validation of this philosophy and credo over two professional music careers (serving with military bands for 22+ years and currently serving the at-large music industry for 26+ years and counting).

BURNETT MUSIC FOUNDATION

Burnett Music Foundation purposely began in phases by creating four Jazz music centered businesses as its core programs over the last 15 years. At the heart of all BMF programming is the inherent synergy of building community, building educational opportunity, and building arts infrastructure in the Kansas City metropolitan area.

See our work:

o Artists Recording Collective – ARC Recording Label (https://ArtistsRecordingCollective.biz)

o Bird Boot Camp (https://BirdBootCamp.org)

o Jazz Artistry Now (https://JazzArtistryNow.com)

o Kansas City Area Youth Jazz (https://YouthJazz.us)

Tax Deductible Contributions: We are a Tax Exempt Organization under Internal Revenue Code (IRC) Section 501 (c) (3). Donors can deduct contributions they make to us under IRC Section 170. We’re also qualified to receive tax deductible bequests, devises, transfers or gifts under Section 2055, 2106, or 2522.

Get involved! 

Christopher and Terri (Anderson) Burnett established their branch of The Burnett Family in March of 1979 at Copenhagen, Denmark. They are professional musicians based in the Kansas City Metropolitan Area. 

Visit BurnettMusic.biz for more information.

promises, promises …

always a better jazz mousetrap

Kansas City Area Youth Jazz (YouthJazz.us) recently finished our 2020 season. This was our second season, and like the 2019 debut season, it was again very successful – despite 2020 being contracted from our normal 4-months to 2-months, largely due to the coronavirus pandemic safety restrictions and protocols that continue at this writing.

2019 Kansas City Area Youth Jazz season recording
session set at BRC Audio Productions, Inc.
2019 Kansas City Area Youth Jazz season recording
session set at BRC Audio Productions, Inc.

Kansas City Area Youth Jazz (KCAYJ) is a private jazz education program that was conceived in 2010 to fill a void that existed in this arena back then, but for various reasons it was not formally launched until 2019. It’s a unique program in that KCAYJ is designed to be a “youth jazz artist experience” rather than a variation on the summer jazz camp model. See our story at this link, it’s pretty interesting how things came together.


lifelong jazz artist + jazz educator

Historic Photograph: The 2009 Kansas Bandmasters
Association Convention (Wichita) with Mr. Leon A. Brady.

Upon returning home to the Kansas City area to live, I connected with people on the scene here who became friends and mentors. Particularly, Ahmad Alaadeen as my last great applied jazz saxophone teacher and the legendary Leon A. Brady who invited me into his youth jazz program as the woodwind faculty in 2007. Mr. Brady founded Kansas City Youth Jazz in 2000 and it grew into five big bands comprised of over 100 students in grades 6th through 12th. His was a unique model in that we faculty would conduct sectional clinics before the bands rehearsed the music together as a full ensemble. Needless to say, doing this made for really tight ensemble work and the band directors could work at a more refined level than simply “fixing notes.”

Historic Photograph: 2011 shaking hands with Mr. Brady after
his final concert and retirement from his program.

I immediately noticed that the students could not improvise very well. It was likely so glaring because the ensemble work was so tight and sounded so good. I asked Mr. Brady for permission to start a combo lab after the Saturday morning rehearsals were finished at 11:30 and he approved. I started with one combo and that quickly grew into two combo labs – the 11:30 and 12:30 combos. A fellow faculty member, Jason Goudeau joined me and we taught the students basic song forms and how to deal theoretically with common chord progressions found in jazz music.

12:30 Combo performing at the Madrid Theater in Kansas City

The students began playing coherent improvised solos and the program thrived. So much so that I was invited to present the Kansas City Youth Jazz 12:30 Combo and give a clinic at the Kansas Bandmasters Association Convention (Wichita) with Mr. Brady in 2009.

11:30 Combo during a performance in Kansas City

This was a promising generation ago now. These young musicians are now adults. Several have gone on to graduate from top music schools and conservatories, become music educators, professional military musicians as well as scientists and business people. I have been successfully and effectively teaching music since the 1980s. In addition to my private studio practice, I have actually taught jazz at the college-level. I enjoy working with middle-level and secondary school music educators, but have never been a public school band director myself. They are indeed my musical heroes.

Jay McShann Musical Memorial February 2007 – Gem Theater KANSAS CITY | Playing lead with 18th & Vine Big Band after Bobby Watson left – I actually got to meet Mr. McShann and interacted with him several times before he left us. That’s my last great applied jazz saxophone teacher, the late, great Ahmad Alaadeen on tenor.

art is about doing good business

2020 FELLOWS (ARC) – digital album

In addition to all of the things the combo program taught youth jazz artists, Kansas City Area Youth Jazz teaches that art is about doing good business. Most of the act of doing good business happens away from your musical instrument and the stage. It is arts administration. It’s planning and developing programming. It’s customer service. It’s keeping promises to your art, your fans, your band members, and the people who believe in your ideas and dreams. Promises. Keep them.

2019 FELLOWS (ARC) – digital album and limited edition heavy vinyl LP album
2019 Kansas City Area Youth Jazz Fellows after their recording session in August 2019.

promises, promises …

We kept a big promise today to those wonderful people who supported the Kansas City Area Youth Jazz program during its very first season. Yes, even before we were an established entity with the successful track record we have established in two great seasons. Your vinyl LP albums are in the mail to you. They sound superb and Bill Crain took the time needed to ensure that the music on this album will genuinely merit repeated listens. You’ve got a “collectors’ item.” Thanks again! All the best, Mr. B