🥰 “ON THIS DAY” (February 13, 2011) ten years ago, we took our late mother Violet to lunch at Fort Leavenworth. Mom would have been 97 years old on February 24, 2021.
Here are a couple of photos of us that came up on my photos feed today:
(1) our mom Violet,
and (2) me with our mom Violet.
She’s 87 years old in these photos and you can see lots of dark hair on her head.
I get my red/brown hair coloring and skin tone from her side of the family.
She never dyed her hair and neither do I.
I still have a full head of hair and not much gray.
SOME CANDID MOM PHOTOS OVER THE YEARS
Grandpa “Jack” (George Jackson)
My maternal grandfather was not bald, so current science says that’s likely why neither am I. Similar findings point to facts regarding specific genes contributing to my not having much gray hair now in the same manner as my parents did not when they were 65. Just the way it goes, I guess.
This is our traditional end-of-year post. The conclusion of 2020 also marks the end of the second decade of the first century of this millennium according to The Farmers’ Almanac (and the US Naval Observatory). Here’s to Remembrance + Renewal + Resolutions.
We completely purged and reorganized our home and life together in 2020 to match the phase of life we are now living. That’s pretty cool. As most of you likely know, doing this type of self-healing work has a renewing effect on the soul. Looking at one’s own history can be difficult. But it’s rewarding if you can. For us it was like having these 4+ decades of our life together put more firmly into proper perspective and giving us an objective balance moving forward within ourselves as individuals too. Remembrance + Renewal + Resolutions.
It’s great to be done with 2020 in lots of ways. The global COVID-19 pandemic. It was also a US presidential election year that fostered an objective appreciation for governmental officials who are public servants, but most especially for those who are truly civic leaders. The election reflected our paradoxical US population. More people in history voted for and even more voted against the incumbent. It looks like democracy will win again. Remembrance + Renewal + Resolutions.
The 2020 Elections revealed that the same 50/50 divide of the Civil War Era still remains to this day in our nation. What I think is ridiculous, many others think to be reality. Social media became a major distortion field in 2020. So much so that I had to disconnect from some people who I have known for thirty years or more because seeing their posts kept resulting in me thinking less of them. And, seeing someone’s posts shouldn’t do that. I decided to leave them with their own thoughts and musings, as we are all entitled to have and remember the collegial times we shared in our youth. I had a caricature of some people who I didn’t really know at their core and that’s not fair to either of us. Have a great rest of your life old friends. It’s too short at best. Hence why I rarely post about politics . Remembrance + Renewal + Resolutions.
As with every year, there were good things too.This year also marked both of our official retirements, the drawing of our respective social security pensions, and the launching of our family’s jazz music centered nonprofit organization, Burnett Music Foundation. We were able to safely produce three of our programs (ARC Student Jazz Jam Sessions, KC Area Youth Jazz, and Bird Boot Camp) utilizing the protocols used by US Army bands to mitigate coronavirus risk. Remembrance + Renewal + Resolutions.
We resolve to be thankful for each day and each opportunity to interact with the people we love, to do the work that we love, and to have our health to enjoy each day together. Here’s to Remembrance + Renewal + Resolutions.
We sincerely agree with these sentiments of our 44th POTUS...
Feb. 17, 2009 – Aboard Air Force One, a close-up of the Presidents signature on the American Recovery and Reinvestment Act, which he had just signed in Denver. (Official White House photo by Pete Souza)
AUTHORIZED USES: The official White House photograph are made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
“Jackson The Plunger” is a nickname we took from one of the articles about our maternal grandfather, Edward George Jackson, who was mostly known by his middle name GEORGE since he shared the same first name with his father. Born in February 1903 and died in January of 1945, he didn’t quite reach his 43rd birthday.
FROM OUR FAMILY TREE AT ANCESTRY . COM
Our formal family trees are located within our private account through Ancestry.com. Our family website is not intended to be any type of genealogicalrecord.
It serves primarily as our contemporary blog. We do sometimes include commentary related to our family genealogy here from time to time though. This post is one of those.
Our mother Violet Jackson Burnett and other relatives often told me that I “favored” GEORGE JACKSON. As was common of elders from those generations, they didn’t speak about him or anyone else in our ancestry with any specificity. Upon discovering these old yearbook photos at our family tree website, I actually had no idea what he looked like until now.
Edward “GEORGE” Jackson of Paola, Kansas (1903-1945) was my maternal grandfather. He attended and graduated from the same city school system that I graduated from with the PHS Class of 1923. As you can see by the above school yearbook page, GEORGE attended an integrated school system.
GEORGE was the son of EDWARD Jackson, and EDWARD was the son of SOLOMON Jackson – see the names highlighted in green and yellow in the image of the1880 United States Federal Census for Edward Jackson above.
Further observation of this census document shows the ethnicity or race of both Edward Jackson (my maternal great grandfather) and his father Solomon (my 2nd maternal great grandfather) listed as “Mulatto” a term of which most dictionaries define as a (dated or offensive) noun referring to a person of mixed white and black ancestry, especially a person with one white and one black parent. Interesting.
ALSO FROM OUR FAMILY TREE AT ANCESTRY . COM
That’s just only a glimpse of my maternal Jackson family tree. My paternal Burnett family tree is just as interesting. I discovered as the eldest son of Clifford Burnett (b. 1925), I am also the grandson of Charles Burnett (b. 1846), I am also the great grandson of Peter Burnett (b. 1798), and I am also the 2nd great grandson of Doe Burnett (b. 1750).
Much of the textbook history I was taught in school growing up doesn’t match with the history I have found in the historic records, deeds, and census documents which reveal that most of my ancestors were farmers, property owners and not enslaved in the late 1700s. Discovered other interesting history too. It seems that life is always full of drama – good and otherwise. Go figure, huh? This information doesn’t change who I am as a human being, a man, a husband, father, grandfather, brother, uncle, nephew, or son. However, it does give me a positive connection with the continuum of my heritage in the most objective context possible. My children and grandchildren don’t have to wonder who came before them in this sense. That’s pretty cool…
The signs of mortality are around us at every moment of each day. I’m not sure exactly when, but at some point in life we find peace with that fact and are not as afraid of death. Perhaps this is a counter to that human hyperarousal instinct and thus, inherently inoculates us against our primal fear of being mortal. Whatever the reason, it keeps most of us from staying in bed all day with the covers pulled up over our heads while waiting to die. Despite the challenges ahead for humanity and our nation, we move forward with optimism and confidence that another productive year is before us. We don’t chose to forget the past. We learn from it. We don’t forget our family members either – because they remain with us always in some context. So, the first post of 2021 is a “Roll Call” of our Burnett siblings and it’s dedicated to those family members of our generation who have gone ahead to that next dimension or plane of existence.
* Michelle Antoine did not live beyond a few days after being born premature and was buried in the US military cemetery near Toul-Rosières Air Base during our family’s military service tour in France. We never got to meet Michelle but love him. He would have made our sibling number 10 had he lived.
Nothing reminds us of our own mortality like losing a close relative or dear friend. Even the death of favorite celebrities can often be a sobering moment for most of us in this regard. Even when we do lose beloved family elders or when someone we have known personally for many years passes away after a long life and well-lived life, we are sad but generally able to find resolution at some point through our grief, if not total peace.
There seems to be another consideration for most of us and it’s after we have safely grown up into adulthood, established autonomous lives, and then begin losing our fellow adult siblings inevitably to death. For me personally, this consideration goes beyond a confrontation of one’s own mortality because that usually happens for people my age decades earlier. It seems to be more of a personally inescapable reckoning with one’s own life, in terms of what kind of person we have become, how many of our goals we’ve realized, and what type of legacy we will objectively leave behind. If we are still living we are still writing that history.
Of my nine siblings who lived through birth, grew up to be adults, and lived more life as autonomous people than children in their parents’ home, there are six of us still living at this writing in 2021. That’s pretty cool, especially since we are all over 60 years old now.
We lost our eldest brother Dean, who seriously dated several women but never married, or had children of his own, and by all accounts was a great person with a kind heart to many people in his life. A world class professional musician, he was a great mentor and friend to me after we got to know each other as adults.
We also lost our youngest brother Keith to suicide. Nothing prepares you for losing someone that way. It has taken most of these years since he killed himself for me to grieve and find peace personally – or as much as is possible. The fact is that many people die from suicide and like my youngest brother, most of those people suffer from the common and very treatable mental illness of depression.
However, the first sibling we lost was our dear sister Penny due to the effects of stage 4 lung cancer. Her death was clinically not unexpected. In this life she was a rascal and a very thoughtful person. It is an extremely sad experience to consider not being able to interact with her everyday. I still love and miss my little sister Penny dearly. Penny was the 6th of the 9 living children of Violet Lorraine Jackson Burnett and Clifford LeRoy Burnett.
6 OF 9
Penny and I were among the middle children in birth order and come from a relatively large sibling family. I am the exact middle of the 9 living children who grew up together in our parents home. Penny was the eldest of the last 4 of the 9. All of our siblings have been validated at this point as highly intelligent and talented individuals. Penny was always among the most brilliant persons within this group.
From my perspective, Penny was the quintessential little sister who idolized me as her immediate big brother – unless I was around, of course. And, our childhood together included the typical adventures a big brother and little sister share while growing up together. Terri and I saw this type of dynamic between our own son and daughter during their sibling years with us at home.
And, even when our parents divorced while we were both still high school students, Penny was back to back with me on the mission of keeping the family together while achieving that immediate goal of our younger siblings graduating. We became mini-parents by proxy, while still being just “kids” ourselves. We walked around as if nothing had changed in our family and took care of business. I helped out our single mother with two after school jobs to help buy food and Penny made sure that chores and homework were getting done.
Growing up together, we children were always taught to stand for something positive. Like many kids, we were vetted before we even left home. When I graduated and joined the Army two years later, our single parent home life was relatively stable. Penny and I stayed in touch during her senior year and beyond. I would send money home to help out the family and come home on leave whenever I could. Penny held it down, even after she went to Emporia State to school. Everyone graduated. We beat the odds. We had kicked ass indeed. We won.
Penny continued to be the “glue” that kept all of us together. She knew what everyone was doing and what was going on in their respective lives. Penny knew what kind of characters we had all grown up to become, she knew our strengths and she tolerated our weaknesses. I always thought that was cool. She could have gone on with her own singular life after high school graduation, like many siblings choose to do. We weren’t our siblings’ parents after all. However, I came to appreciate the fact that Penny made a deliberate choice to keep in close touch with me, no matter where in the world I was over the subsequent years. Penny also made a deliberate choice to get to know my wife, Terri, and our children, Micah and Lorri, from the very beginnings of our branch of the Burnett Family through and up to the day that she left to go ahead of us.
I was tempted to post a photograph of my sister with me. But, Penny gave of herself to me and so many people as well. So much so that we all felt the special love she had for each of us individually. So, I could not post a singular picture of she and I together alone and still accurately represent that enormous dynamic. However, I posted a picture of her house instead. It is a beautiful little carriage house to one of the historic mansions in Leavenworth. It was a mess when she and Bill first moved there. Penny worked on that house for the better part of the 10 years that she and her husband Bill were married. Inside and out. Hardwood floors to kitchen remodel. Lawn and landscape. She finally finished it and was ready to begin buying her furniture to fill the special lovely places that Penny’s imagination and dreams had created within that house. The only frustration or sign of complaint that I heard my sister utter was objective disgust at the facts that she had her house done and that she had become terminally ill. Not a negative comment, just matter of fact. Those who knew and loved Penny too, know that it would not have gone down any other way. The story of that house epitomizes the way Penny was in her relationships with most people. She could see the beauty and greatness in all of us, no matter what condition we were in at any given moment. Now, that is a big heart and is truly a great example of the essence of what love is about.
PHOTO that sister Mary Jane took of our late sister Penny with two of her nephews (Madison and Micah) at our mom’s apartment on West Ottawa Street in Paola.
Most family people who also have children and grandchildren can relate to the state of being thankful. It’s actually pretty easy to be thankful if your life is good and your kids are doing well also.
T and I watched our parents at this age live with grace and dignity. I often tell my siblings who missed seeing our mom grow through her 40s, 50s, and 60s that they missed the best of her in many ways. I’m thankful that our children and grandchildren met her there too.
But most successful people also learn to be thankful for the balance that comes with the inherent challenges of living. Jazz musicians often call this the blues. These blues help us grow toward realizing those good times. We have found that good times simply result from many years of positive effort being rewarded in some cool tangible context. We’ve seen this in our children’s and grandchildren’s lives as well as in our own.
Our Children and Grandchildren help give us perspective.
During a conversation the other day, T and I decided that one of the coolest aspects of this stage and life is that we’ve lived long enough to have already had a significantly positive impact upon the lives of other people. Our children. Our grandchildren. Our friends. Our colleagues. As well as the general people of those communities where we have been fortunate to make our home over the years as a family.
Micah is now the age I was when I retired from my active duty military career after 22-years of continuous service. Lorri is now the age I was when I was selected for the special assignment as the First Sergeant of the Student Company at the Armed Forces School of Music in Norfolk, Virginia. Seth is now the age I was when I was selected for the special musical assignment with the NATO Band in Naples, Italy. Ethan is now the age I was when I chose to go to the Army band at Ansbach, Germany where Terri and I first met. Ariana is now the age I was when I was accepted to the Army Band Group Leader Course at the Armed Forces School of Music. Owen is now the age I was when I got serious about music and practicing the saxophone. Avery is now the age I was when my father was still active duty Air Force and we still lived at Kincheloe Air Force Base in the Sault Sainte Marie, Michigan Air Defense Sector. Hayden is now the age I was when I got my first “big boy” hair cut.
As Parents and Grandparents we still learn from our kids.
When our children first left home as young adults our instinct was to protect them as we did when they were children. We didn’t know any better and had to learn how to be parents of adults. Over the years we’ve (or rather I have) learned to trust what they were taught and trust they have practical common sense. Over protective to a fault sometimes.
I will add to this parental transition and growth was my own personal distrust of most people in our society and nation as a black man. Yes, that sounds really awful considering everything positive and wonderful that I have been part of and have done throughout my life and career. But, since everyone has something to confront, this issue has been part of the deal of me becoming who I am in a more mature form. Reconciling contradictions is the essence of life after all. And it’s often a challenge for others to understand we are all works in progress no matter how old or experienced.
The cool thing about being a grandparent is that you can look at your children and grandchildren and they will show you that you won life. You ran the table. They help you realize that you already have everything you need. Yes, our children and grandchildren taught us that. Even that littlest guy who seems to have lost total patience with the photo shoot.
Kansas City Area Youth Jazz (YouthJazz.us) recently finished our 2020 season. This was our second season, and like the 2019 debut season, it was again very successful – despite 2020 being contracted from our normal 4-months to 2-months, largely due to the coronavirus pandemic safety restrictions and protocols that continue at this writing.
Kansas City Area Youth Jazz (KCAYJ) is a private jazz education program that was conceived in 2010 to fill a void that existed in this arena back then, but for various reasons it was not formally launched until 2019. It’s a unique program in that KCAYJ is designed to be a “youth jazz artist experience” rather than a variation on the summer jazz camp model. See our story at this link, it’s pretty interesting how things came together.
lifelong jazz artist + jazz educator
Upon returning home to the Kansas City area to live, I connected with people on the scene here who became friends and mentors. Particularly, Ahmad Alaadeen as my last great applied jazz saxophone teacher and the legendary Leon A. Brady who invited me into his youth jazz program as the woodwind faculty in 2007. Mr. Brady founded Kansas City Youth Jazz in 2000 and it grew into five big bands comprised of over 100 students in grades 6th through 12th. His was a unique model in that we faculty would conduct sectional clinics before the bands rehearsed the music together as a full ensemble. Needless to say, doing this made for really tight ensemble work and the band directors could work at a more refined level than simply “fixing notes.”
I immediately noticed that the students could not improvise very well. It was likely so glaring because the ensemble work was so tight and sounded so good. I asked Mr. Brady for permission to start a combo lab after the Saturday morning rehearsals were finished at 11:30 and he approved. I started with one combo and that quickly grew into two combo labs – the 11:30 and 12:30 combos. A fellow faculty member, Jason Goudeau joined me and we taught the students basic song forms and how to deal theoretically with common chord progressions found in jazz music.
The students began playing coherent improvised solos and the program thrived. So much so that I was invited to present the Kansas City Youth Jazz 12:30 Combo and give a clinic at the Kansas Bandmasters Association Convention (Wichita) with Mr. Brady in 2009.
This was a promising generation ago now. These young musicians are now adults. Several have gone on to graduate from top music schools and conservatories, become music educators, professional military musicians as well as scientists and business people. I have been successfully and effectively teaching music since the 1980s. In addition to my private studio practice, I have actually taught jazz at the college-level. I enjoy working with middle-level and secondary school music educators, but have never been a public school band director myself. They are indeed my musical heroes.
art is about doing good business
In addition to all of the things the combo program taught youth jazz artists, Kansas City Area Youth Jazz teaches that art is about doing good business. Most of the act of doing good business happens away from your musical instrument and the stage. It is arts administration. It’s planning and developing programming. It’s customer service. It’s keeping promises to your art, your fans, your band members, and the people who believe in your ideas and dreams. Promises. Keep them.
promises, promises …
We kept a big promise today to those wonderful people who supported the Kansas City Area Youth Jazz program during its very first season. Yes, even before we were an established entity with the successful track record we have established in two great seasons. Your vinyl LP albums are in the mail to you. They sound superb and Bill Crain took the time needed to ensure that the music on this album will genuinely merit repeated listens. You’ve got a “collectors’ item.” Thanks again! All the best, Mr. B
“Often we can find all of the #motivation and #answers we really need from the #history within our own #family” …
John Henry Pratt was married to my great aunt Willa Beecham Pratt. Aunt Willa was the sister of my maternal grandmother Mary Jane Beecham Jackson. John and Willa Pratt were leading citizens and well respected among both the black and white communities of Olathe, Kansas.
John Henry worked for the railroad and Willa took in laundry along with cooking for various people and functions around town. By most standards they were considered “well off.” They had no biological children of their own. And I got to know them both pretty well during a good part of my childhood of the 1960s and 1970s after we came back to Kansas when my father’s active duty Air Force service was finished. I loved and respected them very much.
When our mother’s mother was killed in an automobile accident in 1930, our mother was only 6 years old and her sister (our aunt) was a toddler.
HISTORIC NOTE:The Oriole – 1922 Paola High School Year Book. I graduated from Paola High School in 1974 as the Panthers. Our maternal grandfather George Jackson is featured prominently throughout the pages of this publication. And, as you see the Paola, Kansas school district was integrated 32 YEARS BEFORE the 1954 landmark Brown v. Board of Education of Topeka school desegregation case.
ALL HER CHILDREN ROLL CALL
Our family folklore tells that it wasn’t proper for a widowed man to raise two young girls. Thus the reasoning Willa and John Pratt took our mother and her baby sister in to live with them. And our maternal grandfather George Jackson would subsequently die in a house fire several years later, truly leaving the Jackson sisters orphaned. Our mother, Violet, as a very young girl, would naturally remain inconsolable for many years but would ultimately overcome and have a great life in her own right. That’s another story …
HISTORIC PHOTOGRAPH: “Our NCAA Division 1 Athletes” – Richard (d)and Nathaniel at Kivisto Field, University of Kansas where Richard was a music education major, varsity football star, and remains an all-time letterman. He went on to greatness as a successful musician in New York City. Nathaniel was an education major, multi-event varsity track star, and walk-on varsity basketball player at Wichita State University. They were adopted by Willa and John Pratt after our mother divorced their father.
SIBLINGS ROLL CALL: Richard Dean (d); Nathaniel Anthony; Joyce Nadine; Bonnie Jean; Christopher LeRoy; Penny Lynn (d); Mary Jane; Donnie Ray; Michelle Antoine (d); Keith Duane (d).
JOHN HENRY PRATT FAMILY FOLKLORE
John Henry Pratt is a legend in our family and I want to make sure that our children and grandchildren know how significant he is to them too. I hope they tell their assigns about John Henry Pratt for generations to come.
Growing up, we called him “Dilloy” or “Deak.” I still don’t know why or what these nicknames even mean to this day and I’m in my sixties now. My lasting memory of John Henry will be his unpretentious modesty and humbleness. It was clear, even from my perspective as a boy, that the man had his priorities together.
They told me that John Henry was a World War I veteran and he fought in Europe and saw combat duty in Germany. So I asked him about it once and he told me that when his segregated unit encountered the Germans they would not fight the black soldiers. John Henry said a German soldier told him face-to-face that they didn’t have anything against the blacks who were actually politically oppressed peoples like most Germans were then. I was surprised by this but he insisted it was truth.
John Henry built his life around his family, rather than building a family around his life. I liked that. Every successful man I have been in contact with has had their own version of this ethos. At this point in my life, it’s objectively safe to say I have successfully modeled this in my own way. John Henry was a man you could look up to and admire.
They told me he adopted my two older brothers and I asked him why. John Henry told me that it was the right thing to do at the time so he did it. And that was the extent of what he had to say about that topic. John Henry was not at all mean or angry for my asking, but so matter-of-fact about it that my childish curiosity was satisfied and I left it alone.
I recall one terrible argument between my parents and the Pratts were visiting our home. My dad and John Henry used to talk outside by their vehicles. They’d talk about their cars and any other subjects of the day. My dad was frustrated with my mother and was talking lots about their issues to John Henry. John Henry listened and didn’t say anything or interject during my dad’s passionate oration.
When my dad finished, John Henry told him that all of those things were part of being a husband to a woman and a grown ass man. He told my dad that he understood his frustrations as best he could knowing the two of them and their relationship at a distance. John Henry also told my dad that my mom and us children would be taken care of if he were to leave us. That ended the conversation on that topic and they moved on amicably to discussing the football prospects of the Chiefs.
“PLAY IT WHERE IT LIES” Father’s Day golf with my youngest brother Keith Duane used to be an annual tradition. He was actually a more than pretty decent golfer. Me not so much. Average at best. Golf is one thing that I actually simply do for “fun.” We simply made a point to do it so we would spend time with each other. That’s cool. I’m almost certain he’d be happy knowing I had my clubs re-gripped and am golfing again.
We, in the USA, have traditionally mostly worked until a certain age range between 62 to 72 and then we typically retire to a terminal vacation status. That was literally the tradition for the generation before our late Baby Boomer cohort.
We both have decided to “retire” in July 2020. And we are very happy about this decision because it has come by our own choice. Our lives will not change drastically in the sense of most activities. We will simply now be our own bosses. That’s pretty cool.
We both have worked almost literally our entire lives, having had jobs since we were teenagers, having served in the active duty Regular Army as professional musicians, and having engaged successful careers as educators, as well as having worked in both federal government and corporate settings too. We’ve always been entrepreneurs.
We both made a point of subsidizing our art as musicians with day jobs that afforded a good living for our family but didn’t detract from our primary calling as artists. It was a difficult balance to maintain at times. However, we have always seemed to find synergy in this regard throughout these years.
We are going to enjoy this next phase of life and look forward to the opportunities it will bring. It’s going to be cool engaging the music-related projects we have established over the years, and the unlimited positive possibilities of our nonprofit organization.
We plan to golf, bowl, walk, and enjoy our ornamental gardening activities. We plan to visit our family and friends while engaging cultural sites around the USA.
We plan to visit our musical friends in Europe again and enjoy interacting with other people throughout the world as artists and humans. We hope to visit England (UK), Germany, Italy, France, Spain, Portugal, Greece, and Austria among other places.
And of course, there is the music. It was our mutual love of music that literally brought us together those decades ago. We plan to continue creating, practicing and teaching lots of music going forward.
Milestones (new = Columbia Records CL 1193 ) is a modal jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. Milestones (old = Savoy S3440-42-43 + S3440-41-43b) is also the title of a bebop standard credited to Miles Davis that pianist John Lewis had written for him while playing with Charlie Parker. (Wikipedia)
Milestones (CL 1193) is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his “first great quintet” augmented as a sextet. It was released in 1958 by Columbia Records. Tenor saxophonist John Coltrane‘s return to Davis’ group in 1958 coincided with the “modal phase” albums: Milestones and Kind of Blue (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes – scale patterns other than major and minor. In a five-star review, Allmusic‘s Thom Jurek called Milestones a classic album with blues material in both bebop and post-bop veins, as well as the “memorable” title track, which introduced modalism in jazz and defined Davis’ subsequent music in the years to follow. Andy Hermann of PopMatters felt that the album offers more aggressive swinging than Kind of Blue and showcases the first session between saxophonists Coltrane and Cannonball Adderley, whose different styles “feed off each other and push each musician to greater heights.” Jim Santella of All About Jazz said that the quality of the personnel Davis enlisted was “the very best”, even though the sextet was short-lived, and that Milestones is “a seminal album that helped shape jazz history.”The Penguin Guide to Jazz selected the album as part of its suggested “Core Collection”, calling it “one of the very great modern-jazz albums.”
BURNETT FAMILY MILESTONES
1979 – 1988
Our first home together as a family was in 1979 while living in Germany. We have made several houses our home over the years. But our home has never been a structure. We’ve learned that our home has always been with each other. We rented a very nice small apartment in the Wiesner family’s house located in the quaint village of Sachsen bei Ansbach. We enjoyed going to our own home after performing, working, and touring with the Army band.
Our son was born at the US Army Hospital in Nürnberg during the time we lived there. We selected all German-made furnishings for our apartment too. Our son’s bed was made by the company, PAIDI. It was modular and could be configured to a crib as well as a toddler bed. This period began our enjoyment of the art of homemaking and family life in general. Our daughter would also use this very same bed. We eventually passed that PAIDI bed on to a military couple who had a baby and was in the Army band with us in Missouri a half dozen years later.
We lived in the housing provided to us as an active duty military family and made each place a very comfortable home. During this period when we lived on post, you could customize the inside of your government quarters, and do basic landscaping of your yard, but nothing more. We put in carpet, ceiling fans, our own furnishings, and we even built a pretty cool stone patio at one place too.
Other than mowing your lawn and shoveling snow from your walkways, the maintenance was done by government housing workers. Today, military base housing has been contracted out to firms who have built new units and remodeled many of these historic properties that often dated back to the World War II Era. From what we’ve observed, the Military Housing of today is not much different than any other high quality affordable middle-class housing units found in the private civilian sector. That’s cool.
1988 – 2001
We built our first custom home in 1988. It was a really cool split tri-level ranch on about 3/4 of an acre of land and built by one of the best home builders in that community surrounding the military base where I worked with the Army band. This was not typical of most active duty military during those years. We were only able to actually build this home because the Army kept us stationed in the same place for so long. We were just in our early thirties. Many of our peers and contemporaries outside of the active duty military service life had already been living in their own homes for many years by then. Our children were just 8 and 6 years old respectively when we moved in. They literally grew up in that home. We made many family memories and naturally had some individual developmental adventures living there. We ultimately moved back home to the Kansas City metropolitan area to engage professional musician activities after our children grew up and left home to build individual autonomous lives as adults.
2001 – ONWARD
The Healing House
Transitions of any type are ultimately major disruptions to family life in terms of establishing roots in a community. Military families in the music field of our era experienced lots of moving. So, most of us could count on pulling up roots so often that buying a house wouldn’t have been practical. Our family had moved every 2-3 years until we got to that Missouri assignment and ended up being posted there so long. The only other people we knew who usually bought homes while still serving were those who were assigned at the school of music or the Military District of Washington and special command bands for literally their entire careers. And as empty-nesters, we moved back to my native Kansas City area and didn’t really know whether living here would be a good fit for us or not. So, we rented, before we bought our first home in KC – a ranch with a “vibe” and “spirit” that was regenerative to the point that we still lovingly call it “The Healing House.” We’ve found that you never really know where the last part of your working career will take you in preparation for those golden years everyone talks about. When we found KC was truly our home again, we decided to sell that home and build our Burnett Family forever home.
In 1998, I wrote an essay for a publication where I spoke about the various phases of life a person could likely go through. The first twenty years in your parents’ home. The next twenty years leading a family with your own children in your home. The next twenty years using the first forty years of experience to impact your community positively. And the next twenty years are basically about doing whatever your health, desires, and vigor will allow. We don’t think most people actually “retire” in the sense of not doing anything anymore, but work on passion projects well into their 80s and beyond. We’re in our fourth vicennial. It’s even lots cooler living it than we thought it would be when I wrote that article back then. Anyone who isn’t motivated about getting here and beyond in age and life should be.
Milestones (new = Columbia Records CL 1193 ) is a modal jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. Milestones (old = Savoy S3440-42-43 + S3440-41-43b) is also the title of a bebop standard credited to Miles Davis that pianist John Lewis had written for him while playing with Charlie Parker. (Wikipedia)
This is Miles Davis‘s very first recording session as a leader in 1947, with Charlie Parker playing tenor saxophone, rather than his normal alto saxophone voice (Session 7). Why is Parker on tenor sax? Herman Lubinsky at Savoy Records concluded that since Miles is the leader on the session, the record must not sound too much like those made with Miles as a sideman. Miles Davis All-Stars, Recorded August 14, 1947, in New York City for Savoy Records. Tracks: “Milestones,” “Little Willie Leaps,” “Half Nelson,” and “Sippin’ at Bells.” Artists: Miles Davis (trumpet), Charlie Parker (tenor sax), John Lewis (piano), Nelson Boyd (bass), and Max Roach (drums).
Featured photograph in this post is one in a series taken in 1979 by Terri Anderson Burnett using her 35 mm Olympus OM1 SLR camera. Subject matter is various images of the Weisner family’s rose garden in the yard at our home on Am Hang Straße in Sachsen bei Ansbach.
Our mother, Vi Burnett said something to me once about her family and us children that I continue to find to be subtly insightful.
“You don’t know what type of people you are raising. You just do your best and hope life doesn’t hurt them too badly that it dampens their spirit.”
— Mom Burnett
She also often quoted the adage that our children are only “on loan to us for a few years.”
But the thing that really stuck most of all is when she said that “you will never forget the times when all of your children were still living in your home.”
I understand her context much better now that I am the exact age she was when she said that to me in the 1990s. And, it’s true.
It’s not that you want to smother your children and keep them from engaging their own lives. It’s that you miss the times and when you finally figure out what you are doing, your kiddos are gone. It’s both beautiful and melancholy at once.
The goal of parenthood – bringing people into the world who didn’t ask to be here – is to nurture positive contributors to this world.
In hindsight, I can say we have done that in parenting both our son and daughter.
We’re equally proud of both of them as kick-ass adults and just as in love with them today as we were on those days we respectively met each of them in their delivery hospitals.