🎵 Music Producers and Recording Artists

 

Many musicians have an instinctive understanding of how musical sound interacts with our bodies. They know — they feel — that sound impacts our bodies in a way no other art does. Opera singer Irene Gubrud says, “As a very young child, I experienced who I was through sound. I felt whole.”

Excerpt: ‘The Power Of Music’ by Elena Mannes

We were professional musicians before we met each other in the middle 1970s while working overseas for the U.S. Army’s music program.

Our children and grandchildren likely associate music being created and instruments being played in our home as just a part of life while growing up and over the subsequent years.

We are now ARC recording artists with several releases on the market and document our music on recordings as part of the inherent legacy representing some of our respective works created during the course of the journey of our lives.

The Standards Project

Our latest recording project will be produced in October 2018 and released commercially on the ARC label in February 2019.

Production Meeting at BRC Audio Productions

A recent post thoroughly describes “The Standards Project.”

But, our very first recording session was produced during our off-duty hours while we were members of the Army Band at Ansbach, Germany.

The First Recording Session

We have always believed in creating the type of life we want to live and that includes where our musical careers are concerned as well.

We don’t wait for things to happen to us. We work to make the things we want to happen.  This first recording session illustrates this fact in a very cool way. It was thoroughly planned as well.

By 1979 I was just about finished with the composition and arranging course I was enrolled in and taking from the Berklee College of Music in Boston by mailed correspondence. It took 3 years to compete.

I was writing lots of “tunes” by then and had officially joined the arranging staff of the Army band. Several of my charts were being played in concerts, shows or tours.

We hadn’t a clue of what we were doing as record producers beyond basic knowledge in terms of understanding the music and how to operate the equipment we were using to record.

We didn’t even consider post-production concerns or commercial distribution of the music we recorded.

We were simply learning and creating something musically positive for all of us to do rather than just sit around between the Army band gigs.

Our very first recording session date was December 18, 1979

We produced the recording with fellow Army musicians we worked with at that time.

😂 The images posted here are of my decades old hand-written notes, LOL!

We recorded one of my originals and my arrangement of Sonny Rollins’ “Pent-Up House.” Following are the credits:

  • Bob Henry, engineer;
  • Larry Bennett and James McNeal, trumpet;
  • Christopher Burnett, alto saxophone;
  • R. Stephen Gilbert, tenor and soprano saxophones;
  • Gene Smith, trombone;
  • Leon Johnson, Fender Rhodes;
  • Bruce Shockley, bass;
  • and Dennis Butler, drums.
  • Terri Anderson Burnett and Christopher Burnett, producers.

For some reason, it all worked out.

Forty Years Later

We are still practicing, performing, teaching, writing and recording music.

 

🏈 Jayhawk Reunion

+ Degrees of Separation

The featured photograph in this post is a posed picture taken by Terri in 2012.

I’m shown here with our three eldest grandchildren at the conclusion of a visit to our home by Jesse Newman and Curtis McClinton to see our eldest brother, Richie Pratt, who had recently returned home after having lived in Hawaii for nearly thirty years.

“So, I get home from work today and there is a strange car in the driveway. I walk in the house from the garage and Curtis McClinton is sitting in my easy chair and Jesse Newman is sitting on the sofa in the living room. These two Jayhawks came by to visit our Jayhawk, Richard Dean today. It turns out that Curtis was involved in the work of initially setting up the 18th & Vine District and Jesse has been big in community advocacy and education. They plan on visiting regularly. It was cool for our grandchildren to get to meet them too …”
– – –

The three of them played varsity football at the University of Kansas in the 1960s (1960-69 Rosters). Richie ultimately had a shot with the New York Giants and Curtis went on to greatness with the Kansas City Chiefs.

And see: RichiePratt.net