Obviously, the start of a new year, but also the concluding of another decade.
The “roaring twenties” …
2020 also marks 5 years since our family trip to London, UK.
It was cool and we went on several day trips with our adult children.
Many photographs in this post are from that winter vacation.
We love them and are so proud of each of our children.
They have not only grown into adults to emulate, but each one is a truly brilliant person who contributes greatly to society.
And, most importantly, they are good resilient souls.
They don’t quit or give up.
OUR NEXT DECADE TOGETHER
2020 also marks the year we will turn 65.
We actually don’t know what turning 65 is supposed to feel like yet because this year is our first time doing it.
But we collectively know we’re blessed with good health, the love of our family + dear friends, we still have our chops, and still play our instruments at a professional-level – so we are very thankful.
A former colleague of ours from our days in Germany in the late 1970s sent these recordings of our Army band back then performing in several contexts.
This colleague, Bruce Shockley is a fantastic musician and still performs professionally.
The included photographs in this post that are not taken by me or T are primarily from the personal archives of two other former colleagues, Bob Levitsky and Dan Flake.
GERMANY TOUR YEARS: 1976-1980
What is interesting for us today is to now look back at those days and realize 1977 was only 32 years after the end of World War II, the Cold War was still a thing, and our job with the military was to go around playing music to spread goodwill.
To get a contextual idea of what contemporary life for us in Germany during those years was like visit the House of the History of the Federal Republic of Germany website at https://www.hdg.de/
We thought our children and grandchildren might find it interesting to listen to us performing music when we first met (and before we were married in 1979).
We were also just 21-year-old performing artists and gaining experience.
Although we were playing 250 to 300+ concerts and ceremonies each year by then, we were still new professionals.
Working that much builds chops and perspective.
The first two recordings are from a partnership concert and are representative of what the concert band sounded like. In addition to ceremonial music, it also demonstrates the type of music we most often played for German civilian audiences or important functions. T plays flute and I play alto saxophone on these recordings.
We played everywhere from historical concert halls to outdoor concerts for combat arms specialty troops on maneuver training out in the woods. And events that included most everything in between those two…
The song titled “Corazon” is from the Woody Herman band’s library.
It also documents the first ever improvised jazz solo that I took with the jazz band in Germany.
The second song is an adaptation by the famous arranger, composer and former military musician Sammy Nestico titled “Dvorak’s Theme.”
We were professional musicians before we met each other in the middle 1970s while working overseas for the U.S. Army’s music program.
Our children and grandchildren likely associate music being created and instruments being played in our home as just a part of life while growing up and over the subsequent years.
We are now ARC recording artists with several releases on the market. We document our music on recordings as part of the inherent legacy representing some of our respective musical works created during the course of the journey of our lives.
The Latest Recording Project
Our latest recording project will be produced and released commercially on the ARC label in 2020. A recent post thoroughly describes “The Standards Project.”
But, our very first recording session was produced during our off-duty hours while we were members of the Army Band at Ansbach, Germany.
The Very First Recording Session
We have always believed in creating the type of life we want to live and that includes where our musical careers are concerned as well.
We don’t wait for things to happen to us. We work to make the things we want to happen. This first recording session illustrates this fact in a very cool way. It was thoroughly planned as well.
By 1979 I was just about finished with the composition and arranging course I was enrolled in and taking from the Berklee College of Music in Boston by mailed correspondence. It took 3 years to compete.
I was writing lots of “tunes” by then and had officially joined the arranging staff of the Army band. Several of my charts were being played in concerts, shows or tours.
We hadn’t a clue of what we were doing as record producers beyond basic knowledge in terms of understanding the music and how to operate the equipment we were using to record.
We didn’t even consider post-production concerns or commercial distribution of the music we recorded.
We were simply learning and creating something musically positive for all of us to do rather than just sit around between the Army band gigs.
Our very first recording session date was December 18, 1979
We produced the recording with fellow Army musicians we worked with at that time.
? The images posted here are of my decades old hand-written notes, LOL!
We recorded one of my originals and my arrangement of Sonny Rollins’ “Pent-Up House.” Following are the credits:
Bob Henry, engineer;
Larry Bennett and James McNeal, trumpet;
Christopher Burnett, alto saxophone;
R. Stephen Gilbert, tenor and soprano saxophones;
Gene Smith, trombone;
Leon Johnson, Fender Rhodes;
Bruce Shockley, bass;
and Dennis Butler, drums.
Terri Anderson Burnett and Christopher Burnett, producers.
For some reason, it all worked out.
Forty Years Later
We are still practicing, performing, teaching, writing and recording music.