Thanksgiving … is a daily condition

Most family people who also have children and grandchildren can relate to the state of being thankful. It’s actually pretty easy to be thankful if your life is good and your kids are doing well also.

T and I watched our parents at this age live with grace and dignity. I often tell my siblings who missed seeing our mom grow through her 40s, 50s, and 60s that they missed the best of her in many ways. I’m thankful that our children and grandchildren met her there too.

But most successful people also learn to be thankful for the balance that comes with the inherent challenges of living. Jazz musicians often call this the blues. These blues help us grow toward realizing those good times. We have found that good times simply result from many years of positive effort being rewarded in some cool tangible context. We’ve seen this in our children’s and grandchildren’s lives as well as in our own.


Our Children and Grandchildren help give us perspective.

During a conversation the other day, T and I decided that one of the coolest aspects of this stage and life is that we’ve lived long enough to have already had a significantly positive impact upon the lives of other people. Our children. Our grandchildren. Our friends. Our colleagues. As well as the general people of those communities where we have been fortunate to make our home over the years as a family.

A relatively recent photograph of me with my sons and grandsons

Micah is now the age I was when I retired from my active duty military career after 22-years of continuous service. Lorri is now the age I was when I was selected for the special assignment as the First Sergeant of the Student Company at the Armed Forces School of Music in Norfolk, Virginia. Seth is now the age I was when I was selected for the special musical assignment with the NATO Band in Naples, Italy. Ethan is now the age I was when I chose to go to the Army band at Ansbach, Germany where Terri and I first met. Ariana is now the age I was when I was accepted to the Army Band Group Leader Course at the Armed Forces School of Music. Owen is now the age I was when I got serious about music and practicing the saxophone. Avery is now the age I was when my father was still active duty Air Force and we still lived at Kincheloe Air Force Base in the Sault Sainte Marie, Michigan Air Defense Sector. Hayden is now the age I was when I got my first “big boy” hair cut.


As Parents and Grandparents we still learn from our kids.

When our children first left home as young adults our instinct was to protect them as we did when they were children. We didn’t know any better and had to learn how to be parents of adults. Over the years we’ve (or rather I have) learned to trust what they were taught and trust they have practical common sense. Over protective to a fault sometimes.

Our daughter Lor, our son Seth, and our two youngest grandchildren

I will add to this parental transition and growth was my own personal distrust of most people in our society and nation as a black man. Yes, that sounds really awful considering everything positive and wonderful that I have been part of and have done throughout my life and career. But, since everyone has something to confront, this issue has been part of the deal of me becoming who I am in a more mature form. Reconciling contradictions is the essence of life after all. And it’s often a challenge for others to understand we are all works in progress no matter how old or experienced.

Our daughter Lor, our son Seth, and our two youngest grandchildren

The cool thing about being a grandparent is that you can look at your children and grandchildren and they will show you that you won life. You ran the table. They help you realize that you already have everything you need. Yes, our children and grandchildren taught us that. Even that littlest guy who seems to have lost total patience with the photo shoot.

We are truly thankful everyday.

Jackson The Plunger …

“Jackson The Plunger” is a nickname we took from one of the articles about our maternal grandfather, Edward George Jackson, who was mostly known by his middle name GEORGE since he shared the same first name with his father. Born in February 1903 and died in January of 1945, he didn’t quite reach his 43rd birthday.

1922 PAOLA HIGH SCHOOL YEAR BOOK – THE ORIOLE
1922 PAOLA HIGH SCHOOL YEAR BOOK – THE ORIOLE

FROM OUR FAMILY TREE AT ANCESTRY . COM



Our formal family trees are located within our private account through Ancestry.com. Our family website is not intended to be any type of genealogical record.



It serves primarily as our contemporary blog. We do sometimes include commentary related to our family genealogy here from time to time though. This post is one of those.


HISTORIC PHOTOGRAPH: A candid photo opportunity with our second eldest grandson, OWEN, who is one of GEORGE JACKSON’s 2nd great grandsons.

Our mother Violet Jackson Burnett and other relatives often told me that I “favored” GEORGE JACKSON. As was common of elders from those generations, they didn’t speak about him or anyone else in our ancestry with any specificity. Upon discovering these old yearbook photos at our family tree website, I actually had no idea what he looked like until now.


1922 PAOLA HIGH SCHOOL YEAR BOOK – THE ORIOLE

Edward “GEORGE” Jackson of Paola, Kansas (1903-1945) was my maternal grandfather. He attended and graduated from the same city school system that I graduated from with the PHS Class of 1923. As you can see by the above school yearbook page, GEORGE attended an integrated school system.


1880 United States Federal Census for Edward Jackson

GEORGE was the son of EDWARD Jackson, and EDWARD was the son of SOLOMON Jackson – see the names highlighted in green and yellow in the image of the 1880 United States Federal Census for Edward Jackson above.



Further observation of this census document shows the ethnicity or race of both Edward Jackson (my maternal great grandfather) and his father Solomon (my 2nd maternal great grandfather) listed as “Mulatto” a term of which most dictionaries define as a (dated or offensive) noun referring to a person of mixed white and black ancestry, especially a person with one white and one black parent. Interesting.



ALSO FROM OUR FAMILY TREE AT ANCESTRY . COM


That’s just only a glimpse of my maternal Jackson family tree. My paternal Burnett family tree is just as interesting. I discovered as the eldest son of Clifford Burnett (b. 1925), I am also the grandson of Charles Burnett (b. 1846), I am also the great grandson of Peter Burnett (b. 1798), and I am also the 2nd great grandson of Doe Burnett (b. 1750).



Much of the textbook history I was taught in school growing up doesn’t match with the history I have found in the historic records, deeds, and census documents which reveal that most of my ancestors were farmers, property owners and not enslaved in the late 1700s. Discovered other interesting history too. It seems that life is always full of drama – good and otherwise. Go figure, huh? This information doesn’t change who I am as a human being, a man, a husband, father, grandfather, brother, uncle, nephew, or son. However, it does give me a positive connection with the continuum of my heritage in the most objective context possible. My children and grandchildren don’t have to wonder who came before them in this sense. That’s pretty cool…


COVER PHOTO

BURNETT FAMILY TRADITIONAL THANKSGIVING DINNER (2012 – LANSING, KS)

promises, promises …

always a better jazz mousetrap

Kansas City Area Youth Jazz (YouthJazz.us) recently finished our 2020 season. This was our second season, and like the 2019 debut season, it was again very successful – despite 2020 being contracted from our normal 4-months to 2-months, largely due to the coronavirus pandemic safety restrictions and protocols that continue at this writing.

2019 Kansas City Area Youth Jazz season recording
session set at BRC Audio Productions, Inc.
2019 Kansas City Area Youth Jazz season recording
session set at BRC Audio Productions, Inc.

Kansas City Area Youth Jazz (KCAYJ) is a private jazz education program that was conceived in 2010 to fill a void that existed in this arena back then, but for various reasons it was not formally launched until 2019. It’s a unique program in that KCAYJ is designed to be a “youth jazz artist experience” rather than a variation on the summer jazz camp model. See our story at this link, it’s pretty interesting how things came together.


lifelong jazz artist + jazz educator

Historic Photograph: The 2009 Kansas Bandmasters
Association Convention (Wichita) with Mr. Leon A. Brady.

Upon returning home to the Kansas City area to live, I connected with people on the scene here who became friends and mentors. Particularly, Ahmad Alaadeen as my last great applied jazz saxophone teacher and the legendary Leon A. Brady who invited me into his youth jazz program as the woodwind faculty in 2007. Mr. Brady founded Kansas City Youth Jazz in 2000 and it grew into five big bands comprised of over 100 students in grades 6th through 12th. His was a unique model in that we faculty would conduct sectional clinics before the bands rehearsed the music together as a full ensemble. Needless to say, doing this made for really tight ensemble work and the band directors could work at a more refined level than simply “fixing notes.”

Historic Photograph: 2011 shaking hands with Mr. Brady after
his final concert and retirement from his program.

I immediately noticed that the students could not improvise very well. It was likely so glaring because the ensemble work was so tight and sounded so good. I asked Mr. Brady for permission to start a combo lab after the Saturday morning rehearsals were finished at 11:30 and he approved. I started with one combo and that quickly grew into two combo labs – the 11:30 and 12:30 combos. A fellow faculty member, Jason Goudeau joined me and we taught the students basic song forms and how to deal theoretically with common chord progressions found in jazz music.

12:30 Combo performing at the Madrid Theater in Kansas City

The students began playing coherent improvised solos and the program thrived. So much so that I was invited to present the Kansas City Youth Jazz 12:30 Combo and give a clinic at the Kansas Bandmasters Association Convention (Wichita) with Mr. Brady in 2009.

11:30 Combo during a performance in Kansas City

This was a promising generation ago now. These young musicians are now adults. Several have gone on to graduate from top music schools and conservatories, become music educators, professional military musicians as well as scientists and business people. I have been successfully and effectively teaching music since the 1980s. In addition to my private studio practice, I have actually taught jazz at the college-level. I enjoy working with middle-level and secondary school music educators, but have never been a public school band director myself. They are indeed my musical heroes.

Jay McShann Musical Memorial February 2007 – Gem Theater KANSAS CITY | Playing lead with 18th & Vine Big Band after Bobby Watson left – I actually got to meet Mr. McShann and interacted with him several times before he left us. That’s my last great applied jazz saxophone teacher, the late, great Ahmad Alaadeen on tenor.

art is about doing good business

2020 FELLOWS (ARC) – digital album

In addition to all of the things the combo program taught youth jazz artists, Kansas City Area Youth Jazz teaches that art is about doing good business. Most of the act of doing good business happens away from your musical instrument and the stage. It is arts administration. It’s planning and developing programming. It’s customer service. It’s keeping promises to your art, your fans, your band members, and the people who believe in your ideas and dreams. Promises. Keep them.

2019 FELLOWS (ARC) – digital album and limited edition heavy vinyl LP album
2019 Kansas City Area Youth Jazz Fellows after their recording session in August 2019.

promises, promises …

We kept a big promise today to those wonderful people who supported the Kansas City Area Youth Jazz program during its very first season. Yes, even before we were an established entity with the successful track record we have established in two great seasons. Your vinyl LP albums are in the mail to you. They sound superb and Bill Crain took the time needed to ensure that the music on this album will genuinely merit repeated listens. You’ve got a “collectors’ item.” Thanks again! All the best, Mr. B

Parenthood is forever …

Our mother, Vi Burnett said something to me once about her family and us children that I continue to find to be subtly insightful.

“You don’t know what type of people you are raising. You just do your best and hope life doesn’t hurt them too badly that it dampens their spirit.”

— Mom Burnett

She also often quoted the adage that our children are only “on loan to us for a few years.”

But the thing that really stuck most of all is when she said that “you will never forget the times when all of your children were still living in your home.”

I understand her context much better now that I am the exact age she was when she said that to me in the 1990s. And, it’s true.

It’s not that you want to smother your children and keep them from engaging their own lives. It’s that you miss the times and when you finally figure out what you are doing, your kiddos are gone. It’s both beautiful and melancholy at once.

The goal of parenthood – bringing people into the world who didn’t ask to be here – is to nurture positive contributors to this world.

In hindsight, I can say we have done that in parenting both our son and daughter.

We’re equally proud of both of them as kick-ass adults and just as in love with them today as we were on those days we respectively met each of them in their delivery hospitals.

Spring Break Projects

spring = rebirth + renewal


PROJECT #1 – STUFF: PAST, PRESENT, FUTURE

My professional recording debut was in 1979 as a soloist with the Hof Symphony Orchestra in Germany.


Hof Symphoniker

Our Army band jazz ensemble performed Concerto for Jazzband and Symphony Orchestra, the 12-tone serial work by Rolf Liebermann, and I played the alto solo. I was still just 22 years old.


Hof Symphony Orchestra Rehearsal – US Army Public Affairs Office Photograph (1979)

In 1984 the U.S. Army Training and Doctrine Command put together an audio sampler for recruiting musicians. Our young family of four had moved back nearer to my home and lived in Missouri by then. So, I was playing lead alto and touring 8-states in the midwest USA with the 399th Army Band jazz ensemble. It was a very good band. Two of our “live recorded concert” selections were chosen to be included in “An Army Bands Sampler.”



We are in the beginning stages of some major spring cleaning and I came across the latter cassette in relatively pristine condition.


#familymuseum #cassette #analog


PROJECT #2 – DINO MASSA 2020 KC TOUR

Italian Jazz Pianist and Composer, Dino Massa

I met Dino Massa during my tour of duty with the NATO Band based at Naples, Italy. Dino was a masters student at the Naples Conservatory at the time and we used to play jazz gigs during my off-duty hours when the NATO Band was not touring. We reconnected via social media several years ago and resumed our musical collaboration with Dino traveling to Kansas City to perform concerts, master classes and record.



We released “Echoes of Europe” worldwide on the ARC label in 2017 to great reviews. It’s a very nice recording and special in that me and Terri (flute) are performing together again on most of the selections with Dino and several of my closest musical friends and colleagues on the KC scene. This year Dino is coming to perform a concert in Kansas City, teach a couple of master classes at a high school and college, then we’ll record another album for the ARC label.



We are recording original music and the theme for this recording project is inspired by the work of various impressionist artists


DINO MASSA 2020 KC TOUR GALLERY

MARCH 2020 IS WOMEN IN JAZZ MONTH IN KC

The 2020 Dino Massa KC Tour was a wonderful success. Maestro Dino conducted two master classes. Thanks to the Music Departments of USD 453 and KCKCC for having him interact with your students. Dino performed at Westport Coffeehouse Theatre with a quintet of KC artists and thanks to everyone who made it. And the recording session at BRC Audio Productions in Kansas City was very nice as well. We have another very fine album of original compositions for release on the ARC recording label.


LHS MASTER CLASS


KCKCC MASTER CLASS


WESTPORT KC CONCERT


BRC AUDIO PRODUCTIONS RECORDING


The featured photo is the Castel Nuovo, a.k.a. Maschio Angioino, a seat of medieval kings of Naples, Aragon and Spain

One Family + One Tribe


#BlackHistoryMonth 


Thanks to Nicole and Danae at the Dwight D. Eisenhower VA Medical Center‘s CPAC where Terri Anderson Burnett works for inviting me to speak for one of their “Black History Month” events.

I gave a talk and presentation centered on the topic African Americans and the Vote and enjoyed learning lots while doing the research for this opportunity.

A couple of years ago, I spoke at their “Martin Luther King Jr. Day” event. 

BLACK HISTORY MONTH


One Family

I enjoy discovering new facts while doing research to give talks, presentations, and even music clinics. What I learn each year during Martin Luther King, Jr. and African American recognition periods is always enlightening.

Having added “Papa” and “Nana” (grandfather and grandmother) to our monikers, we’ve now actually lived lots of significant and interesting “history” ourselves.

Ultimately, we’ve found that despite the inherent issues and myths within human society, the fact is that there is only one race – the human race. We are one family.


One Tribe

According to a Harvard study, music is indeed the “universal language.”

This and other contemporary studies reinforce my beliefs in this regard as well.

No matter where we’ve visited or lived in the world, we were able to communicate with others through the common bond of music. That’s cool.


VISION 20/20


#MissouriMusicEducatorsAssociation #Clinician


On January 24, 2020, I had the honor and privilege of sharing research and methods with my colleagues and peers at the annual Missouri Music Educators Association In-Service Workshop Conference. Sponsored by MMEA and Conn-Selmer, Inc.

T went with me and we had a pretty good time together as well.

Music + Books

“Life is a journey, not a destination.”

–Ralph Waldo Emerson

WINTER VACATION BREAK

“PROJECT #45”

OUR OFFICE BOOKSHELF = “BEFORE”
OUR OFFICE BOOKSHELF = “AFTER”

“You can’t use up creativity.

The more you use, the more you have.”

– Maya Angelou

Every year since we have been together, we have had a “winter vacation break project.”You know this type project. Yours probably could even be one like our office bookshelf and office storage space morphed into. It’s something that you plan to get around to doing, but never do during the course of the year because you can find what you need in the immediate and are able to get done what you need to get done despite there being no organized system in place to facilitate efficiency and accountability.

BUT . . . WE TRULY ARE ORGANIZED PEOPLE . . . REALLY WE ARE . . .

We decided to use the old reliable BANKERS BOX®
as our primary storage and retrieval vehicle .

 “The greatest sign of success for a teacher . . . is to be able to say, ‘The children are now working as if I did not exist’ . . .”

– Maria Montessori

Nonetheless, it never fails that we find a better system or more logical process to use somewhere in our day-to-day living that helps out tremendously.

And it seems that during the course of simply living, while continuing to learn and grow, we will periodically find that old systems and methods are no longer functionally useful.

THE LIBRARY OF A COUPLE OF ACTIVE PROFESSIONAL WOODWIND MUSICIANS

“The principle goal of education is to create men and women who are capable of doing new things, not simply repeating what other generations have done.” 

– Jean Piaget

We use everything in our office bookshelf space as part of our business activities, woodwind studio teaching practices, and individual studies as professional musicians.

So, in our experiences, such resets are usually a good thing.

SOME HISTORIC ITEMS + JAMES R. FUCHS AND CHARLIE MOLINA

THIS IS THE ACTUAL KLOSE METHOD I PRACTICED AND STUDIED CLARINET FROM – COST: $7.50 VALUE: PRICELESS

“It isn’t where you came from, it’s where you’re going that counts.”

– Ella Fitzgerald

I started playing a band instrument in the 9th grade, which is still late by most standards. In addition to the cursory learning to play some rudimentary form of the recorder, I studied the violin in the 4th grade growing up in Paola, Kansas. Yes, Paola, Kansas. However, I participated in private music programs at our church and had pretty good general music classes during grade school and junior high.

THIS WAS MY SOLDIER’S MANUAL AS 02Q4C1
WOODWIND GROUP LEADER WITH ARMY BANDS

“Tell me, and I forget. Show me, and I remember. Involve me, and I understand.”

– Chinese proverb

Mr. Jim Fuchs taught me clarinet and saxophone. I played clarinet initially and then essentially played the saxophone from the 10th grade onward. Paola had its own music store in town back then too. That’s how I first met Charlie Molina, who was one of the owners and a Conn Clinician. I auditioned and successfully passed auditions to qualify for the military music programs of both, the Army and Air Force. I chose the Army.

THESE COURSES WERE PART OF THE ARMY’S ONGOING
INDIVIDUAL PROFESSIONAL DEVELOPMENT PROGRAM

“I’m still learning.”

–Michelangelo

*The main photograph of this post is from our family trip to England during Christmas time – exactly 5 years ago on this date. All other photographs are during the work.

Old Ironsides Band

Playing Music Together in Germany
T ist hinter die kleines Mädchen und ich bin am der recht.
Unser Freund Willie Driffin ist der Tenorsaxophonist.

A former colleague of ours from our days in Germany in the late 1970s sent these recordings of our Army band back then performing in several contexts.

This colleague, Bruce Shockley is a fantastic musician and still performs professionally.

The included photographs in this post that are not taken by me or T are primarily from the personal archives of two other former colleagues, Bob Levitsky and Dan Flake.

GERMANY TOUR YEARS: 1976-1980

What is interesting for us today is to now look back at those days and realize 1977 was only 32 years after the end of World War II, the Cold War was still a thing, and our job with the military was to go around playing music to spread goodwill.

Ansbach, Germany

To get a contextual idea of what contemporary life for us in Germany during those years was like visit the House of the History of the Federal Republic of Germany website at https://www.hdg.de/ 

We thought our children and grandchildren might find it interesting to listen to us performing music when we first met (and before we were married in 1979).

We were also just 21-year-old performing artists and gaining experience.

Although we were playing 250 to 300+ concerts and ceremonies each year by then, we were still new professionals.

Working that much builds chops and perspective.

We are seated in the front “jump seats” of our tour bus.

The first two recordings are from a partnership concert and are representative of what the concert band sounded like. In addition to ceremonial music, it also demonstrates the type of music we most often played for German civilian audiences or important functions. T plays flute and I play alto saxophone on these recordings.

1977 Partnership Concert “Fanfare” 1st Armored Division “Old Ironsides” Band
1977 Partnership Concert “Medley” 1st Armored Division “Old Ironsides” Band
Rendering a questionable impression of the great Louis “Satchmo” Armstrong.
1978 “Hello Dolly” 1st Armored Division “Old Ironsides” Band featuring Charlie Heintz on soprano sax.

On the road again …

The 1st AD Jazz Band files that follow are live recordings from a concert we performed in a gymnasium for the Department of Defense (DoD) high school students of the Ansbach US military community

We played everywhere from historical concert halls to outdoor concerts for combat arms specialty troops on maneuver training out in the woods. And events that included most everything in between those two…

1st Armored Division “Old Ironsides” Band performing an impromptu concert somewhere in Europe.
“Corazon” from the Woody Herman band’s library.
“Dvorak’s Theme” by Sammy Nestico.

The song titled “Corazon” is from the Woody Herman band’s library.

It also documents the first ever improvised jazz solo that I took with the jazz band in Germany.

The second song is an adaptation by the famous arranger, composer and former military musician Sammy Nestico titled “Dvorak’s Theme.” 

Marcus Hampton is the trumpet improviser. 

Two great friends and mentors: Marcus Hampton (trumpet) and Willie Driffin (tenor saxophone)

I don’t remember why the rhythm section is only guitar, bass and drums on these tracks though. 

We could have been between the band having replacement players assigned to us to fill for those who left to go home to the USA.

We performed so many gigs. Literally hundreds each year.

“Love is a better teacher than duty.”
– Albert Einstein

 At more than one point during our tour, 

we worked several months straight, 

then had a few days to pay bills 

and take uniforms to the dry cleaners

before we were off traveling again. 

We found out that we truly loved music.

Senior Enlisted Leadership: Sergeant First Class Charlie Heintz and First Sergeant Billy Patterson.
Top’s remarks during a gig somewhere…
*First photograph is a drone aerial 
photograph of Bleidorn Kaserne
taken in 2019 (courtesy of YouTube).

Focus on your craft…

and refuse to be denied…

Jay McShann Tribute Big Band

Another True Story …

The main photograph of this post is of the Jay McShann tribute big band saxophone section which included (left to right):

Gerald Dunn, Christopher Burnett (yes, with the large Afro hairstyle), Dennis Winslett, Bobby Watson, Ahmed Alaadeen and Kerry Strayer (not shown).

The legendary altoist Bobby Watson soloing…

I had actually met the great Jay McShann and interacted with him several times.

This tribute event was held in early 2007 at the historic Gem Theater in the jazz district of Kansas City.

Alaadeen, who first introduced me to Jay, invited me to play in this tribute – but, I don’t think he was formerly authorized to do so because the cats initially acted somewhat surprised to see me there with my horn.

Even though nobody said anything to me, I figured it out when there were three alto players during the first set. Awkward. Normally I would have left under such circumstances and not even played but I listened to my inner voice and stayed.

And since I had actually met Jay and interacted with him several times enough to have gotten to know him somewhat, I wanted to simply add my musical voice to this tribute.

It turned out to be a very nice event honoring a true master of jazz and blues.

Jay McShann was also the first professional bandleader to hire Charlie Parker.

Playing the lead alto book…

We played two sets. Bobby had to leave after the first and let me play lead the next set.

All of the players were pretty nice to me since I could play the parts and was there unawares and sincerely by invitation of a KC jazz master.

This was my introduction to the realities of life in the music outside of military bands.

Sometimes you just have to make a place for yourself in life and the music industry because others won’t do it for you. What a great opportunity and honor this was.

Those are the types of substantive lessons I learned from the late Ahmed Alaadeen along with the technical aspects of music we studied. He was my last great teacher.

My 2007 JAM cover was in great company…

I’m still going strong and have artistically established myself teaching music in addition to performing and composing.

I began my career by serving 22-years with the professional military bands system.

And 2018 marked another career milestone of being professionally active on the at-large music industry scene for 22-years after military service. That’s pretty cool.

2019 marks entry into new territory of sorts…

As my late brother who was truly a world class musician once told me:

“Focus on your craft and refuse to be denied.”

~ Richie Pratt

Visit: BurnettMusic.biz

Also visit KC Area Youth Jazz at YouthJazz.us

Christmas Time Is Here

Good tidings of comfort and joy !

Merry Christmas and Happy New Year!

We started a tradition in our family several years ago called Thanksgiving-Christmas where we select a timeframe during the season that allows everyone to come together at the Burnett Grandparents’ home to celebrate both of these holidays at the same time with one another.

Thanksgiving-Christmas is a convenient practice when you have adult children with families and lives of their own.

One Family

You really only have one family.

You always gain new family members – related by blood and related by bond.

You always lose family members along the way through death and drama.

Family members come and go in and out of your life for whatever reasons.

We want all of our family (and friends) who weren’t able to be with us for Thanksgiving-Christmas to know that you are always in our hearts and we will always …

LOVE YOU!

~ Terri Anderson Burnett + Christopher Burnett