Milestones – New & Old

Milestones (new = Columbia Records CL 1193 ) is a modal jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. Milestones (old = Savoy S3440-42-43 + S3440-41-43b) is also the title of a bebop standard credited to Miles Davis that pianist John Lewis had written for him while playing with Charlie Parker. (Wikipedia)

a.k.a. “Milestones (new)”

Milestones (New)

Milestones (CL 1193) is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his “first great quintet” augmented as a sextet. It was released in 1958 by Columbia Records. Tenor saxophonist John Coltrane‘s return to Davis’ group in 1958 coincided with the “modal phase” albums: Milestones and Kind of Blue (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes – scale patterns other than major and minor. In a five-star review, Allmusic‘s Thom Jurek called Milestones a classic album with blues material in both bebop and post-bop veins, as well as the “memorable” title track, which introduced modalism in jazz and defined Davis’ subsequent music in the years to follow. Andy Hermann of PopMatters felt that the album offers more aggressive swinging than Kind of Blue and showcases the first session between saxophonists Coltrane and Cannonball Adderley, whose different styles “feed off each other and push each musician to greater heights.” Jim Santella of All About Jazz said that the quality of the personnel Davis enlisted was “the very best”, even though the sextet was short-lived, and that Milestones is “a seminal album that helped shape jazz history.”The Penguin Guide to Jazz selected the album as part of its suggested “Core Collection”, calling it “one of the very great modern-jazz albums.”


BURNETT FAMILY MILESTONES

1979 – 1988

Always Home

Our Last Week in Germany

Our first home together as a family was in 1979 while living in Germany. We have made several houses our home over the years. But our home has never been a structure. We’ve learned that our home has always been with each other. We rented a very nice small apartment in the Wiesner family’s house located in the quaint village of Sachsen bei Ansbach. We enjoyed going to our own home after performing, working, and touring with the Army band.

PAIDI Baby Room Furniture

Our son was born at the US Army Hospital in Nürnberg during the time we lived there. We selected all German-made furnishings for our apartment too. Our son’s bed was made by the company, PAIDI. It was modular and could be configured to a crib as well as a toddler bed. This period began our enjoyment of the art of homemaking and family life in general. Our daughter would also use this very same bed. We eventually passed that PAIDI bed on to a military couple who had a baby and was in the Army band with us in Missouri a half dozen years later.

Fort Leonard Wood Military Base Housing Then

We lived in the housing provided to us as an active duty military family and made each place a very comfortable home. During this period when we lived on post, you could customize the inside of your government quarters, and do basic landscaping of your yard, but nothing more. We put in carpet, ceiling fans, our own furnishings, and we even built a pretty cool stone patio at one place too.

Fort Leonard Wood Military Base Housing Today

Other than mowing your lawn and shoveling snow from your walkways, the maintenance was done by government housing workers. Today, military base housing has been contracted out to firms who have built new units and remodeled many of these historic properties that often dated back to the World War II Era. From what we’ve observed, the Military Housing of today is not much different than any other high quality affordable middle-class housing units found in the private civilian sector. That’s cool.


1988 – 2001

Establishing Roots

We built our first custom home in 1988. It was a really cool split tri-level ranch on about 3/4 of an acre of land and built by one of the best home builders in that community surrounding the military base where I worked with the Army band. This was not typical of most active duty military during those years. We were only able to actually build this home because the Army kept us stationed in the same place for so long. We were just in our early thirties. Many of our peers and contemporaries outside of the active duty military service life had already been living in their own homes for many years by then. Our children were just 8 and 6 years old respectively when we moved in. They literally grew up in that home. We made many family memories and naturally had some individual developmental adventures living there. We ultimately moved back home to the Kansas City metropolitan area to engage professional musician activities after our children grew up and left home to build individual autonomous lives as adults.


2001 – ONWARD

The Healing House

Transitions of any type are ultimately major disruptions to family life in terms of establishing roots in a community. Military families in the music field of our era experienced lots of moving. So, most of us could count on pulling up roots so often that buying a house wouldn’t have been practical. Our family had moved every 2-3 years until we got to that Missouri assignment and ended up being posted there so long. The only other people we knew who usually bought homes while still serving were those who were assigned at the school of music or the Military District of Washington and special command bands for literally their entire careers. And as empty-nesters, we moved back to my native Kansas City area and didn’t really know whether living here would be a good fit for us or not. So, we rented, before we bought our first home in KC – a ranch with a “vibe” and “spirit” that was regenerative to the point that we still lovingly call it “The Healing House.” We’ve found that you never really know where the last part of your working career will take you in preparation for those golden years everyone talks about. When we found KC was truly our home again, we decided to sell that home and build our Burnett Family forever home.

Forever Home

In 1998, I wrote an essay for a publication where I spoke about the various phases of life a person could likely go through. The first twenty years in your parents’ home. The next twenty years leading a family with your own children in your home. The next twenty years using the first forty years of experience to impact your community positively. And the next twenty years are basically about doing whatever your health, desires, and vigor will allow. We don’t think most people actually “retire” in the sense of not doing anything anymore, but work on passion projects well into their 80s and beyond. We’re in our fourth vicennial. It’s even lots cooler living it than we thought it would be when I wrote that article back then. Anyone who isn’t motivated about getting here and beyond in age and life should be.


Milestones (new = Columbia Records CL 1193 ) is a modal jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. Milestones (old = Savoy S3440-42-43 + S3440-41-43b) is also the title of a bebop standard credited to Miles Davis that pianist John Lewis had written for him while playing with Charlie Parker. (Wikipedia)

a.k.a. “Milestones (old)”

Milestones (Old)

This is Miles Davis‘s very first recording session as a leader in 1947, with Charlie Parker playing tenor saxophone, rather than his normal alto saxophone voice (Session 7). Why is Parker on tenor sax? Herman Lubinsky at Savoy Records concluded that since Miles is the leader on the session, the record must not sound too much like those made with Miles as a sideman. Miles Davis All-Stars, Recorded August 14, 1947, in New York City for Savoy Records. Tracks: “Milestones,” “Little Willie Leaps,” “Half Nelson,” and “Sippin’ at Bells.” Artists: Miles Davis (trumpet), Charlie Parker (tenor sax), John Lewis (piano), Nelson Boyd (bass), and Max Roach (drums).



Featured photograph in this post is one in a series taken in 1979 by Terri Anderson Burnett using her 35 mm Olympus OM1 SLR camera. Subject matter is various images of the Weisner family’s rose garden in the yard at our home on Am Hang Straße in Sachsen bei Ansbach.

One Family + One Tribe


#BlackHistoryMonth 


Thanks to Nicole and Danae at the Dwight D. Eisenhower VA Medical Center‘s CPAC where Terri Anderson Burnett works for inviting me to speak for one of their “Black History Month” events.

I gave a talk and presentation centered on the topic African Americans and the Vote and enjoyed learning lots while doing the research for this opportunity.

A couple of years ago, I spoke at their “Martin Luther King Jr. Day” event. 

BLACK HISTORY MONTH


One Family

I enjoy discovering new facts while doing research to give talks, presentations, and even music clinics. What I learn each year during Martin Luther King, Jr. and African American recognition periods is always enlightening.

Having added “Papa” and “Nana” (grandfather and grandmother) to our monikers, we’ve now actually lived lots of significant and interesting “history” ourselves.

Ultimately, we’ve found that despite the inherent issues and myths within human society, the fact is that there is only one race – the human race. We are one family.


One Tribe

According to a Harvard study, music is indeed the “universal language.”

This and other contemporary studies reinforce my beliefs in this regard as well.

No matter where we’ve visited or lived in the world, we were able to communicate with others through the common bond of music. That’s cool.


VISION 20/20


#MissouriMusicEducatorsAssociation #Clinician


On January 24, 2020, I had the honor and privilege of sharing research and methods with my colleagues and peers at the annual Missouri Music Educators Association In-Service Workshop Conference. Sponsored by MMEA and Conn-Selmer, Inc.

T went with me and we had a pretty good time together as well.

Love never fails

Our late mother Vi Burnett was a major inspirational force to me, my siblings, and many others as well. I often think of the things she used to say at times when a situation brings her voice forward in my thoughts. Thus, she is quoted often in our family blog.

PHOTO: Mom’s apartment in Paola, Kansas – 2006

Mom Burnett was a renaissance womaneven before using the word ‘renaissance’ to refer to someone who had figured out most of the handles of their life was cool.

In the latter years of her working life, mom went back to playing the piano. Having had private piano lessons as a child, picking it up again was not an issue for her.

Mom eventually held the position as church pianist at St. James African Methodist Episcopal Church where we attended during the years after our family had settled back in her paternal hometown of Paola, Kansas. A minister of music.

That church no longer exists and most of the living descendants of that wonderful church community from our youth no longer reside in that city. But it remains significant to me because it is where I got my start in music singing in the youth choir. I eventually added woodwind instruments at school and mom encouraged me.

Our family attended Sunday school and church every week growing up, went to summer Vacation Bible School classes, participated in seasonal programs produced by the church, etc. We continued these type traditions with our own children too.

Admittedly, we have learned over the years that such faith is ultimately a personal choice, – but we sincerely believe in and live by Christian principles, pray in good times and bad, and over the years have learned that family is not always limited to people who are related to you by blood.

We have a great foundation.

Living it is not just about going to a church on Sunday.

It’s about Love.

Loving one another.

The Burnett Family branches made up of our children and grandchildren add another dimension to all of this.

We are blessed to have so much love in our lives …

L – O – V – E

“TRICK OR TREAT! – Colonial Williamsburg.
Hey, there’s OWLETTE – from PJ Masks

Love is patient, love is kind.

It does not envy, it does not boast, it is not proud.

It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs.

Love does not delight in evil but rejoices with the truth.

It always protects, always trusts, always hopes, always perseveres.

Love never fails.

1 Corinthians 13:4-8

“The Nana Tour” – Highlights Gallery

2019 Nana Tour

Old Ironsides Band

Playing Music Together in Germany
T ist hinter die kleines Mädchen und ich bin am der recht.
Unser Freund Willie Driffin ist der Tenorsaxophonist.

A former colleague of ours from our days in Germany in the late 1970s sent these recordings of our Army band back then performing in several contexts.

This colleague, Bruce Shockley is a fantastic musician and still performs professionally.

The included photographs in this post that are not taken by me or T are primarily from the personal archives of two other former colleagues, Bob Levitsky and Dan Flake.

GERMANY TOUR YEARS: 1976-1980

What is interesting for us today is to now look back at those days and realize 1977 was only 32 years after the end of World War II, the Cold War was still a thing, and our job with the military was to go around playing music to spread goodwill.

Ansbach, Germany

To get a contextual idea of what contemporary life for us in Germany during those years was like visit the House of the History of the Federal Republic of Germany website at https://www.hdg.de/ 

We thought our children and grandchildren might find it interesting to listen to us performing music when we first met (and before we were married in 1979).

We were also just 21-year-old performing artists and gaining experience.

Although we were playing 250 to 300+ concerts and ceremonies each year by then, we were still new professionals.

Working that much builds chops and perspective.

We are seated in the front “jump seats” of our tour bus.

The first two recordings are from a partnership concert and are representative of what the concert band sounded like. In addition to ceremonial music, it also demonstrates the type of music we most often played for German civilian audiences or important functions. T plays flute and I play alto saxophone on these recordings.

1977 Partnership Concert “Fanfare” 1st Armored Division “Old Ironsides” Band
1977 Partnership Concert “Medley” 1st Armored Division “Old Ironsides” Band
Rendering a questionable impression of the great Louis “Satchmo” Armstrong.
1978 “Hello Dolly” 1st Armored Division “Old Ironsides” Band featuring Charlie Heintz on soprano sax.

On the road again …

The 1st AD Jazz Band files that follow are live recordings from a concert we performed in a gymnasium for the Department of Defense (DoD) high school students of the Ansbach US military community

We played everywhere from historical concert halls to outdoor concerts for combat arms specialty troops on maneuver training out in the woods. And events that included most everything in between those two…

1st Armored Division “Old Ironsides” Band performing an impromptu concert somewhere in Europe.
“Corazon” from the Woody Herman band’s library.
“Dvorak’s Theme” by Sammy Nestico.

The song titled “Corazon” is from the Woody Herman band’s library.

It also documents the first ever improvised jazz solo that I took with the jazz band in Germany.

The second song is an adaptation by the famous arranger, composer and former military musician Sammy Nestico titled “Dvorak’s Theme.” 

Marcus Hampton is the trumpet improviser. 

Two great friends and mentors: Marcus Hampton (trumpet) and Willie Driffin (tenor saxophone)

I don’t remember why the rhythm section is only guitar, bass and drums on these tracks though. 

We could have been between the band having replacement players assigned to us to fill for those who left to go home to the USA.

We performed so many gigs. Literally hundreds each year.

“Love is a better teacher than duty.”
– Albert Einstein

 At more than one point during our tour, 

we worked several months straight, 

then had a few days to pay bills 

and take uniforms to the dry cleaners

before we were off traveling again. 

We found out that we truly loved music.

Senior Enlisted Leadership: Sergeant First Class Charlie Heintz and First Sergeant Billy Patterson.
Top’s remarks during a gig somewhere…
*First photograph is a drone aerial 
photograph of Bleidorn Kaserne
taken in 2019 (courtesy of YouTube).