Many musicians have an instinctive understanding of how musical sound interacts with our bodies. They know — they feel — that sound impacts our bodies in a way no other art does. Opera singer Irene Gubrud says, “As a very young child, I experienced who I was through sound. I felt whole.”
Excerpt: ‘The Power Of Music’ by Elena Mannes
We were professional musicians before we met each other in the middle 1970s while working overseas for the U.S. Army’s music program.
Our children and grandchildren likely associate music being created and instruments being played in our home as just a part of life while growing up and over the subsequent years.
We are now ARC recording artists with several releases on the market and document our music on recordings as part of the inherent legacy representing some of our respective works created during the course of the journey of our lives.
The Standards Project
Our latest recording project will be produced in October 2018 and released commercially on the ARC label in February 2019.
Production Meeting at BRC Audio Productions
But, our very first recording session was produced during our off-duty hours while we were members of the Army Band at Ansbach, Germany.
The First Recording Session
We have always believed in creating the type of life we want to live and that includes where our musical careers are concerned as well.
We don’t wait for things to happen to us. We work to make the things we want to happen. This first recording session illustrates this fact in a very cool way. It was thoroughly planned as well.
By 1979 I was just about finished with the composition and arranging course I was enrolled in and taking from the Berklee College of Music in Boston by mailed correspondence. It took 3 years to compete.
I was writing lots of “tunes” by then and had officially joined the arranging staff of the Army band. Several of my charts were being played in concerts, shows or tours.
We hadn’t a clue of what we were doing as record producers beyond basic knowledge in terms of understanding the music and how to operate the equipment we were using to record.
We didn’t even consider post-production concerns or commercial distribution of the music we recorded.
We were simply learning and creating something musically positive for all of us to do rather than just sit around between the Army band gigs.
Our very first recording session date was December 18, 1979
We produced the recording with fellow Army musicians we worked with at that time.
? The images posted here are of my decades old hand-written notes, LOL!
We recorded one of my originals and my arrangement of Sonny Rollins’ “Pent-Up House.” Following are the credits:
- Bob Henry, engineer;
- Larry Bennett and James McNeal, trumpet;
- Christopher Burnett, alto saxophone;
- R. Stephen Gilbert, tenor and soprano saxophones;
- Gene Smith, trombone;
- Leon Johnson, Fender Rhodes;
- Bruce Shockley, bass;
- and Dennis Butler, drums.
- Terri Anderson Burnett and Christopher Burnett, producers.
For some reason, it all worked out.
Forty Years Later
We are still practicing, performing, teaching, writing and recording music.